On January 25, 2004, I first launched Scary-Crayon. From the description I wrote long ago (that needs updating, since it mentions guest contributors and I’ve had at least one more since I penned that intro):
Scary-Crayon (dot com) is an eldritch Internet chronicle of random crap in the vein of such wildly popular sites as X-Entertainment and I-Mockery, but with fewer Flash ads, much less traffic, and arguably even less structure in terms of content. For example, whereas you’ll find pieces ranging from in-depth reviews of Japanese horror films to criticisms of television commercials in the Spectare section, in Print Reviews you’ll find snarky magazine analyses, discussions of children’s books, and serious critiques of philosophical treatises. We’ve got formidable collections of haikus and webcomics that span topics from the juvenile to the socially conscious. In short, no matter what you’re looking for — fiction, culinary experiments, or something else altogether — Scary-Crayon likely has a feature to make you chuckle, make you gag, or make you think.
I’ve not written nearly as much to Scary-Crayon in recent years, as I kinda fell off once I started doing academic tutoring. Scary-Crayon was *very* much a part of my public persona in all contexts — I was genuinely excited about the content I produced, so it wasn’t uncommon for me to want to talk about articles I’d posted or was working on or even media etc I thought might make for great content — and I came to worry that I’d get in trouble and potentially lose my job if I said anything that led students to the site. After all, Scary-Crayon may be pretty tame compared to much on the internet, but not everything there is PG and over the years I’ve voiced opinions that others might find controversial/objectionable. (Students did find the site — it’s not that hard to find, especially if one communicates with me via my personal email address — and I did ultimately lose that job, and I’m not entirely sure that Scary-Crayon *wasn’t* somehow in the mix, though I don’t think it was the primary reason since my employers had been aware of it since before they hired me and sometimes even had encouraging things to say about the articles.) I don’t regret having shared what I shared on the website, to the extent that — in an era where folks are being urged to scrub their online pasts for fear of cancellation and ridicule — I have a hard rule about not deleting content, even though I don’t agree with many of those old opinions and understand that folks today could come after me for things I wrote back then. (There is only one piece I ever removed from the menu structure, and it’s still *there* if one made an effort to find it. It’s not worth looking for. :P) It was, in part, an attempt to be a humor website, and the humor of a socially isolated twentysomething in the early 00s isn’t always a great fit for today.
But Scary-Crayon was meaningful to me. It’s still meaningful to me. It costs me money to maintain, and these days I don’t have much, but I’d sooner die today and let all of the money I might have spent on food/gas/toiletries/existing go towards keeping it online for another year than let it fade away. (Maybe exaggeration, but also maybe not.) To the extent that LLMs and AI are swallowing up everything on the internet, I *want* my content and my voice in the mix — even at my absolute worst in my younger years, we’d do so much better to have an AI basing its decisions on my input rather than so much of the awfulness and awful people on Reddit and Twitter and the like. I have always been me; I have always been curious; I have always wanted to introduce people to novel content and concepts. And I have always strived to make people *think* and to encourage them to find entertainment and genuine delight in doing so, even when those topics were heavy and challenging.

Not that they need always be heavy or challenging — I’ve been very happy to post recently to the Scary-Crayon blog about my obsession with AI cat videos. People have so much negative to say about GenAI content (and I don’t even disagree with all of their opinions), but I am genuinely fascinated and amused by these things. Scary-Crayon does have donation links — I added them because at one point a handful of people asked me how they could contribute to the site upkeep; no one has ever used those links beyond that early handful of people — but I have never sought to monetize it because it has never been about that for me. I wanted to entertain, and I wanted to put my thoughts on media out there, and I hoped that others would derive some benefit from encountering my unique viewpoint. Scary-Crayon was always a way for me to share myself with the world, and I started it when I really didn’t have many opportunities to do that. I was a suicidal pariah and shut-in when I launched the site, and it’s only been really recently that the vast majority of people I encountered didn’t respond to me with hatred and revulsion. There have been countless occasions where focusing on Scary-Crayon — whether creating content for a new piece or watching media/attending events with intent to write about them or spending hours upon hours scanning PHP code or MySQL database stuff trying to make the site functional — distracted me from going through with killing myself. I don’t entirely know that it wouldn’t have been better for me or for the world (or for the former friends who’ve abandoned me over my AI stances) if I hadn’t had Scary-Crayon to keep me plugging away at base camp rather than ascending the summit and parasailing into oblivion.
That latter bit was a reference to a dear friend’s recent musical theatre project (which was excellent, and which made me so proud and emotional and okay I’ll not go on), which I wanted to close on because it was actually Scary-Crayon that motivated our initial encounter: I was at a comic convention that had a speed dating event, and I figured I’d check it out, and after learning that it had a $20 fee (I’m cheap AF; that’s a huge deterrent) I went through with it largely because I thought it might make for a neat Scary-Crayon article. I didn’t make a romantic connection, but I did make a friend who ultimately encouraged me to audition for a play… and now community theatre is a huge part of my life. Not every connection I’ve made via Scary-Crayon has ultimately proven so impactful, and I’ve fallen off (and out, sadly) with a number of folks I met through the site, but I have made *so many* friends over the years as a result of Scary-Crayon and I am truly grateful for the good times we had and the value they’ve added to my time on this miserable rock. Scary-Crayon did that. Scary-Crayon facilitated those connections. Scary-Crayon connected us. And I’m sorry I haven’t always been the best person to know, but I’m glad we’re here together.

Happy Birthday, Scary-Crayon.